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Sony Pictures TV Buys Majority Stake in ‘The Valley,’ ‘Vanderpump Rules’ Producer 32 Flavors
Streaming Industry & News·Movie OTT Magazine·AI Insight·Sourced from The Hollywood Reporter

Sony Pictures TV Buys Majority Stake in ‘The Valley,’ ‘Vanderpump Rules’ Producer 32 Flavors

Founder Alex Baskin will continue as CEO of the company.

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Sony's Bet on 32 Flavors Could Reshape How Reality TV Gets Streamed Globally

TL;DR: Sony Pictures Television acquired a majority stake in 32 Flavors, the production company behind Bravo's Vanderpump Rules and The Valley. Founder Alex Baskin stays as CEO. The deal matters because it signals Sony is positioning premium unscripted content — currently locked to Bravo and Peacock in the US — for international expansion, with real implications for where these shows land on Indian streaming platforms like SonyLIV in the next 12 to 18 months.

If you've been wondering why Vanderpump Rules suddenly feels like it could be available on platforms beyond Peacock, here's the structural reason: Sony Pictures Television now owns a majority stake in 32 Flavors, the production company behind both that show and its breakout spinoff, The Valley. That ownership shift doesn't change anything for current seasons in production. But it does mean future episodes will be developed, financed, and distributed with Sony's global infrastructure — including SonyLIV in India, where these shows currently don't have confirmed homes.

For audiences tracking where these franchises land on streaming, this is the moment that matters. The pipeline just got more powerful. And more international.

What 32 Flavors Actually Produces (And Why Sony Wanted It)

Founded in 2023 by Alex Baskin, 32 Flavors is barely two years old but runs an outsized slate of active shows:

  • Vanderpump Rules (Bravo) — the flagship about restaurant staff orbiting Lisa Vanderpump's SUR empire
  • The Valley (Bravo) — the spinoff that became, as TMDB describes it, "the epicenter of TV gossip and drama and turned the lives of its cast members upside down"
  • The Real Housewives of Beverly Hills and The Real Housewives of Orange County (Bravo)
  • Still Flipping Out (Bravo)
  • Love Thy Nader (Hulu/Freeform, starting season two)
  • Shut Up Evan — a Netflix podcast

That's a lot of active IP for a company barely old enough to rent a car. And Baskin's staying as CEO. According to The Hollywood Reporter on May 18, 2026, Sony didn't disclose the financial terms — which is standard, though it usually means the deal was substantial enough to matter.

Sony's unscripted division already owns Sharp Entertainment, Embassy Row, B17 Entertainment, and 19 Entertainment. It produces American Idol (co-produced with Fremantle), Shark Tank, and the 90 Day Fiancé franchise. 32 Flavors slots in as the company's clearest play for younger, chronically online audiences who live on TikTok recaps and Reddit threads about who said what to whom at a dinner party. Most trade coverage positions this as Sony "expanding its unscripted portfolio," but that framing undersells what's actually happening: Sony now controls the single producer most responsible for keeping Bravo culturally relevant after the Scandoval cycle, and that leverage matters far more in licensing negotiations than another cooking competition ever would.

Why This Deal Changes the Distribution Game for Indian Audiences

Here's what strikes me about this acquisition: it's not really about protecting Bravo's cable audience. It's about unlocking global streaming markets that couldn't access this content before.

SonyLIV already carries significant Sony international content, and Movie OTT tracks real-time streaming availability across every major Indian platform. As of now, Vanderpump Rules and The Valley aren't widely available through mainstream Indian OTT services. No Hindi dubbing. No subtitled editions optimized for regional viewing. That gap exists because there was no structural reason to fill it — the shows were Bravo properties, and Bravo's international distribution was limited.

Sony ownership changes that equation entirely.

The Indian reality TV market has exploded. Bigg Boss OTT Season 3 averaged over 10 million daily viewers on JioCinema last year, and Shark Tank India Season 3 on SonyLIV pulled comparable engagement numbers that made it the platform's most-binged unscripted title of 2024. Those shows have proven that unscripted formats travel when they're either localized or positioned as aspirational windows into foreign lifestyles. Vanderpump Rules fits the second category almost perfectly — Los Angeles restaurant glamour, interpersonal chaos, the kind of wealth-driven drama that plays across cultures. (It's weird how universal "people fighting at brunches" actually is.)

SonyLIV is the logical home for any Indian streaming rollout. Whether that means full seasons with subtitles, curated highlight packages, or eventually Hindi-dubbed versions is hard to say right now. But the infrastructure exists now. The ownership path is clear. Movie OTT's where-to-watch tracker will catch any SonyLIV listing the moment it drops — that's where to check if you're following these shows from India.

What the Studio Leadership Actually Said — And What It Reveals

Sony Pictures TV Studios president Katherine Pope, who took over the unscripted division earlier this year after Eli Holzman and Aaron Saidman left, framed this in direct terms: "Alex is one of the most passionate and hardest-working people in this business, with an impressive track record of building durable, culture-driving franchises. This deal reflects our broader strategy to invest in best-in-class creative talent and scale distinctive, globally relevant IP."

That phrase — "globally relevant IP" — is doing the heavy lifting here. Pope isn't talking about Bravo's cable footprint. She's talking about formats that work everywhere.

Baskin echoed it: "32 Flavors has been on a remarkable trajectory, and with Sony's support, we expect that momentum to accelerate meaningfully. Sony's scale, track record, and talent-first approach allow us to build on that momentum at a greater level without compromising the integrity and entrepreneurial spirit that defines the company."

I keep coming back to that word: "integrity." For a reality TV producer, that's not filler. It's a signal that Baskin isn't handing creative control to a committee of studio executives. That matters. Shows collapse when producers lose autonomy.

The Track Record That Made Baskin Worth Buying

Before 32 Flavors, Alex Baskin built one of reality television's more durable resumes. Vanderpump Rules has run for over a decade — surviving cast implosions that would've killed lesser shows. The 2020 "Scandoval" fallout alone could've ended most franchises. Instead, it spawned The Valley, a spinoff strong enough to stand on its own. (Remember the Season 11 reunion where Ariana Madix barely looked at Tom Sandoval for three hours straight? That wasn't just good TV. That was a producer who understood exactly how long to let silence do the work.)

He simultaneously produces two of the longest-running entries in the entire Real Housewives franchise — Beverly Hills and Orange County. Running multiple high-maintenance, talent-heavy productions without them cannibalizing each other's audience is genuinely difficult. Most producers can't do it.

For Sony, this acquisition isn't just about current shows. It's about Baskin's demonstrated ability to build franchises that last — and that generate enough cultural noise to drive platform subscriptions.

Why This Signals a Bigger Strategic Shift at Sony

The thing nobody mentions is that this deal happens at a specific moment of executive transition. Katherine Pope inherited the unscripted division after Holzman and Saidman's departures. Acquisitions like this one are how new division heads establish their vision fast. And Pope's focus on "globally relevant IP" suggests she's thinking beyond the US cable audience that's been reality TV's traditional home.

That's the genuinely interesting angle. Most coverage frames this as Sony bolstering its existing Bravo slate. But the stronger read is that Sony's positioning 32 Flavors as a content engine for international streaming markets — not just cable schedules.

Sony already produces 90 Day Fiancé, which performs strongly on discovery+ internationally. That's a proof of concept. Movie OTT's performance data across regions consistently shows that relationship-focused reality formats outperform genre expectations in South Asian markets. Vanderpump Rules and The Valley fit that profile exactly.

The part I am most curious about is whether Sony eventually pushes for a Vanderpump Rules-style format in a non-US setting — a localized spinoff in a different city with a different cast. That would be the logical endpoint of "globally relevant IP." Hard to say if that's coming, but it's the move I'd be watching for.

What Changes — And What Doesn't — Starting Now

Short answer: almost nothing in the immediate term. Baskin's team stays intact. Sony signaled it won't disrupt the creative operation. Bravo's production schedule doesn't shift. Current seasons keep airing on Peacock.

But watch for 32 Flavors content to start appearing on Sony's international streaming partners over the next 12 to 18 months. The Valley is currently on Bravo and available through Peacock in the US. Vanderpump Rules continues its run there. Neither has a confirmed Indian streaming home yet — but that's exactly the gap this acquisition was designed to close.

Where to Stream These Shows Right Now — And What's Coming

Current availability:

  • The Valley: Bravo (linear) / Peacock (US streaming)
  • Vanderpump Rules: Bravo (linear) / Peacock (US streaming)
  • India: No confirmed OTT home for either show as of May 2026

What to expect next: SonyLIV is the most likely destination for Indian audiences once Sony rolls out its distribution strategy. There's no confirmed timeline, but the ownership structure is now in place. Any update to Indian availability will show up first on Movie OTT's tracking system, which monitors streaming platforms across regions in real time.

Sources

Sourced from The Hollywood Reporter. Editorial analysis and writing are original to Movie OTT.

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