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Between the scenes, between the voices. Unseen footage of the future sound of Slovakia.
Full Movie·2026·2h 15m·en

Between the scenes, between the voices. Unseen footage of the future sound of Slovakia.

Unseen footage of the future sound of Slovakia

Cristian Estrella's 135-minute companion piece surfaces the outtakes nobody saw from his Slovak folkumentary — raw conversations, unguarded artists, and a project that refuses to stay inside one film.

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Movie OTT Editorial

5 min read · Published June 7, 2026

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What is Between the scenes, between the voices?

Between the scenes, between the voices. Unseen footage of the future sound of Slovakia. isn't a typical documentary. Instead, this 135-minute film, released in 2026 and structured across two distinct parts (SIDE A and SIDE B), is built from the outtakes of an earlier project. It’s the edited material that director Cristian Estrella filmed in 2024 during an artistic residency at Periférne Centrá in Dúbravica, Slovakia—footage that simply didn't fit into his folkumentary Medzi doľinami, medzi vŕški, or the companion album, The Future Sound of Slovakia Vol.1 by Mira Tus Manos. Think of it as a deep dive into the creative process, featuring artists from Argentina, England, France, Catalonia, Amsterdam, New Zealand, and Slovakia, all speaking candidly about their work and histories.

The Unique Story Behind the "Unseen Footage"

The genesis of Between the scenes, between the voices is, frankly, pretty rare. Most filmmakers leave unused footage on a hard drive, maybe releasing a blooper reel or a few deleted scenes as DVD extras. Cristian Estrella did something smarter. He went back to already-edited material from his 2024 artistic residency in Dúbravica — the same sessions that produced the 93-minute folkumentary Medzi doľinami, medzi vŕški. That original film, shot on mobile phones and action cameras, explored themes like technology meeting folk tradition and cultural integration. But some conversations, some tangents, some insights — they just didn't fit the narrative flow.

What Estrella did next separates this project. He shaped those outtakes into a standalone experience. This isn't raw, unedited footage; it’s carefully assembled scenes. The Dailymotion listing, dated 2026, explicitly frames it as "outtake material." The unique SIDE A / SIDE B structure — like a vinyl record — isn't arbitrary, either. It invites a different kind of viewing experience. One with a natural pause.

So, while the parent film had a clear story, this companion piece carves out a different space. It’s less a sequel and more a comprehensive behind-the-scenes look at the creative ecosystem that gave birth to the Future Sound of Slovakia album project. You get to see the margins.

Why This Documentary of Outtakes Works

Honestly, the very premise of this film is its strength: treating what’s left out as inherently valuable. Most outtake reels are just promotional fluff, but this isn't that. Because the footage was already edited before being set aside, it possesses an intentional shape and rhythm. It's displaced, not unformed.

What strikes me most is how the diverse origins of the artists involved — Argentina, Catalonia, New Zealand, Slovakia, France, England, Amsterdam — transform what could have been a niche music doc into something far broader. It becomes a cross-cultural portrait of artistic practice itself. The conversations don't always focus on the album; they often drift to deeper questions: why do people create? What are the costs? Where do ideas come from? This kind of expansive, reflective material usually gets cut from documentaries because it slows things down. But here, that slowness is the point.

The SIDE A / SIDE B division also does real structural work. Instead of one long, unbroken stream, the film gives you a built-in break — a chance to reflect before diving into the second half. That's a rare move in documentary filmmaking, where the instinct is often to keep the audience rushing forward. Estrella seems more interested in what happens when you decide to stop. The lo-fi aesthetic, consistent with the original film (mobile phones, action cameras), feels intimate and authentic. No polished soundstages here.

Streaming: How to Watch Between the scenes, between the voices

Between the scenes, between the voices. Unseen footage of the future sound of Slovakia. is currently available on various major OTT services. Because streaming availability shifts constantly, the easiest way to find out exactly where it’s playing today is to use a real-time tracker. Movie OTT tracks current availability across platforms. What's listed there reflects where you can genuinely watch it now, not where it was six months ago. For a 2026 release with limited mainstream coverage, having one reliable place to check without bouncing between apps really helps. Movie OTT aggregates that information so you don't have to guess. If you're coming to this film fresh, prepare for its full 135 minutes — the two-part structure truly rewards a committed, uninterrupted viewing, rather than just background noise.

Quick Answers: Your Between the scenes FAQ

Q: Who directed Between the scenes, between the voices. Unseen footage of the future sound of Slovakia.? A: The film was directed by Cristian Estrella. He's also the filmmaker behind the 2024 residency and the original folkumentary Medzi doľinami, medzi vŕški.

Q: Where can I watch Between the scenes, between the voices? A: It's available on major OTT services. For the most up-to-date listings, check the Where-to-Watch widget on this page or visit Movie OTT, which updates streaming availability this week.

Q: Is this film a sequel to Medzi doľinami, medzi vŕški? A: Not exactly a sequel. It's more of a companion piece, or an "outtake" documentary. The footage was shot during the same 2024 residency in Dúbravica, Slovakia, but this 135-minute release presents material that was edited but ultimately left out of the main film.

Q: How long is Between the scenes, between the voices? A: The film runs 135 minutes. It's purposefully divided into two halves, SIDE A and SIDE B, mirroring the format of a vinyl record from the album project it documents.

Q: Who appears in the film?

The film features artists from a wide range of countries: Argentina, England, France, Catalonia, Amsterdam, New Zealand, and Slovakia. These are the international collaborators who participated in the original residency, speaking about their artistic practices and personal histories.

Our Take: Is Between the scenes, between the voices Worth Your Time?

Look — this isn't a film for everyone. It's unhurried, conceptually driven, and asks you to engage with conversations that were originally deemed secondary. But for those viewers who find the processes, the detours, and the "unseen footage" of a creative project more compelling than the polished final product, Between the scenes, between the voices is exactly the kind of thoughtful, process-oriented documentary that doesn't get made enough. It’s a genuine curiosity. The Movie OTT editorial team will keep tracking this one as it slowly finds its audience. Quiet films sometimes do. Check the current streaming availability above and give this unique, two-part experience the committed sit it was designed for.

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Streaming charts today

Between the scenes, between the voices. Unseen footage of the future sound of Slovakia. is #21,531 on the Movie OTT Daily Streaming Charts today. (first day on the chart — check back tomorrow for movement)

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