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I Tawt I Taw a Puddy Tat
Full Movie·2011·4 min·en

I Tawt I Taw a Puddy Tat

Warner Bros. dusts off a 1950s Mel Blanc novelty recording to create a wildly inventive 2011 animated short. Tweety and Sylvester return in CGI glory, chasing the same gags that made them icons—now with archive vocals and fresh digital energy.

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Movie OTT Editorial

5 min read · Published July 11, 2026

6.5/10

The story of I Tawt I Taw a Puddy Tat

I Tawt I Taw a Puddy Tat is a deceptively simple premise that somehow works. The short takes Mel Blanc's 1950 novelty song—that famously mangled "I Thought I Saw a Pussy Cat"—and wraps a brand-new computer-animated narrative around it. What you get is Tweety and Sylvester doing what they've always done: the little yellow bird taunts the hungry cat, the cat schemes and fails, violence erupts in cartoonish fashion. But here's the thing: Blanc's original vocal performance, recorded over six decades earlier, carries the entire piece. It's not a remake. It's not a cover. It's a resurrection of sorts, where archive audio meets contemporary animation in a way that feels both reverent and playful. The short clocks in at just four minutes, which is exactly the right length for what's essentially a novelty act stretched into visual form.

Behind the making of I Tawt I Taw a Puddy Tat

The production journey here is genuinely interesting. Warner Bros. Animation partnered with Reel FX Creative Studios—a powerhouse in CG animation known for feature work—to bring this oddball concept to life. Rather than re-record Blanc's parts (he passed away in 1989), the filmmakers licensed his original recordings and had composer Billy May's arrangement adapted to frame the new animation. June Foray, the legendary voice actress who's voiced everyone from Rocky the Flying Squirrel to Granny herself, stepped in to provide the supporting vocal work. The short premiered in theaters in October 2011, screened before the feature Happy Feet Two, which gave it genuine theatrical distribution—a rarity for animated shorts in the streaming era. While it didn't rack up major awards recognition or box-office numbers (shorts rarely do), the project itself represented something Warner Bros. clearly believed in: the enduring appeal of its classic characters, even when filtered through 21st-century technology. The production values are crisp, the character design honors the original while updating it for 3D space, and the whole thing carries the unmistakable stamp of a studio that knows its own history.

What makes I Tawt I Taw a Puddy Tat stand out

What's striking is how the short manages to feel both retro and contemporary without collapsing into either extreme. The violence—and there's plenty of it—lands with that perfect cartoon logic where gravity and physics are suggestions, not laws. Sylvester gets flattened, exploded, and launched repeatedly, and each gag builds on the last with the kind of escalation that feels earned rather than random. Blanc's voice work, recorded when he was in his early forties, carries an energy and a comedic timing that modern voice actors study but can't quite replicate. There's a precision to his delivery, a snap to his consonants, that makes even the most absurd dialogue feel intentional. The animation team clearly understood that they weren't there to overshadow the vocal performance—they were there to amplify it. Every facial expression, every body movement, every tiny gesture syncs with Blanc's rhythms in a way that suggests the animators watched his recordings obsessively. I keep coming back to the fact that this could've been a disaster: a cynical cash-grab that weaponized nostalgia. Instead, it's made with genuine affection for both the source material and the archive itself. The IMDb rating of 6.7/10 suggests viewers found it entertaining if not groundbreaking—fair assessment for a four-minute novelty short that doesn't pretend to be anything more than what it is.

Where to stream I Tawt I Taw a Puddy Tat online

Finding I Tawt I Taw a Puddy Tat online is straightforward thanks to Warner Bros.' distribution reach. The short is available on major OTT services, and you can check the "Where to Watch" widget at the top of this page to see which platforms currently have it in your region. Since it's a Warner Bros. production, it typically shows up on services that carry their animation library—though availability does shift seasonally. If you're already subscribed to one of the major streaming services, there's a decent chance you'll find it already in your queue. Movie OTT tracks current streaming availability across platforms, so you don't have to hunt through five different apps to figure out where it's actually streaming right now.

Frequently asked questions

Q: Is I Tawt I Taw a Puddy Tat based on a true story?

Not exactly. It's based on a real 1950 novelty song that Mel Blanc recorded for Capitol Records, where he performed the characters' voices in a comedic musical performance. The short animates that recording rather than adapting a narrative.

Q: Who voices Tweety and Sylvester in this 2011 version?

Mel Blanc's archive recordings from the original 1950 song provide the voices for both characters. June Foray voices Granny. Since Blanc passed away in 1989, the filmmakers used his existing vocal performances rather than recasting.

Q: How long is I Tawt I Taw a Puddy Tat?

The short runs exactly four minutes, making it a quick watch—perfect for pairing with a feature film or watching during a break.

Q: Where did I Tawt I Taw a Puddy Tat premiere?

It premiered in theaters in October 2011 as a theatrical short before the Warner Bros. feature Happy Feet Two. It's since become available on streaming platforms.

Q: Who directed I Tawt I Taw a Puddy Tat?

The short was produced by Warner Bros. Animation and Reel FX Creative Studios, with the animation bringing Billy May's new arrangement of the 1950 recording to life.

Final thoughts on I Tawt I Taw a Puddy Tat

There's something oddly perfect about this little short. It doesn't overstay its welcome. It respects its source material without drowning in reverence. And it proves that sometimes the best way to honor a classic is simply to let it breathe in a new format, let the original performances speak for themselves, and trust that good comedy—whether it's from 1950 or 2011—doesn't need much tinkering to work. If you're a Looney Tunes devotee, it's essential viewing. If you're just looking for four minutes of uncomplicated cartoon mayhem, you could do worse. Movie OTT users often discover it while browsing the animation section and end up charmed by its unpretentious charm.

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