The Story of Teen Wolf Too
Teen Wolf Too picks up where the original franchise left off, though with a fresh protagonist and setting. Todd Howard is an awkward, science-minded college student funding his education through an athletic scholarship—a scholarship he'll lose if he bombs an upcoming boxing tournament. He's not exactly built for the ring. But then Todd learns he's inherited the same family curse that once plagued his cousin: the ability to transform into a werewolf. When he shifts, everything changes. His strength multiplies, his reflexes sharpen, and suddenly he's not just competitive in the boxing ring—he's dominating it. The same transformation that gives him physical prowess also catapults him to social stardom on campus. The catch? That kind of power comes with a price, and Todd's going to have to figure out what he's willing to sacrifice to keep winning.
Behind the Making of Teen Wolf Too
Teen Wolf Too arrived in 1987 as a standalone sequel directed by Christopher Leitch, with a screenplay by R. Timothy Kring. The film marked Jason Bateman's feature film debut—a significant milestone for an actor who'd already logged serious television time and would go on to become a household name through shows like Arrested Development and Ozark. Bateman's casting as Todd Howard, the cousin to Michael J. Fox's character from the original 1985 Teen Wolf, gave the sequel its own identity while maintaining franchise continuity. The supporting cast included James Hampton, John Astin, and Kim Darby, all seasoned character actors who brought credibility to the college setting. Atlantic Entertainment Group produced the film, which came in at a lean 95 minutes—tight enough to maintain pacing without sacrificing the comedy-fantasy blend the franchise promised. While the film didn't set box office records or rack up major awards recognition, it found an audience among family and fantasy-comedy viewers of the era and has since developed a cult following among those who appreciate '80s creature-feature comedies.
What Makes Teen Wolf Too Stand Out
What's striking about Teen Wolf Too is how it commits to the absurdity of its premise without winking at the camera too much. The film doesn't pretend that a college student suddenly becoming a werewolf boxer is realistic—it leans into the fantasy and lets the comedy flow from the situation itself rather than from snark or meta-humor. Bateman's performance grounds the film; he plays Todd as genuinely conflicted about his transformation, not as a smirking protagonist who's figured out the game. There's real tension between the social benefits of being a werewolf and the loss of control that comes with it. The boxing sequences, while not groundbreaking, work because they're shot with genuine stakes—Todd isn't just winning matches, he's becoming something other than himself, and the film doesn't let us forget that cost. The thing nobody mentions is how much the film relies on practical effects and makeup work that, by today's standards, looks charmingly low-tech but still conveys the visceral shock of transformation. I keep coming back to how the film treats its teenage and college-aged audience with respect; it doesn't condescend to younger viewers even when the plot gets ridiculous. The script balances comedy (the fish-out-of-water boxing angle, the social awkwardness before the transformation) with genuine fantasy elements, creating something that doesn't quite fit neatly into any single genre—and that's part of its charm.
Where to Stream Teen Wolf Too Online
Teen Wolf Too is currently available on major OTT services, and Movie OTT tracks its availability across multiple platforms so you don't have to hunt around. The "Where to Watch" widget at the top of this page shows you exactly which streaming services are currently carrying the film in your region, whether you're looking to rent, buy, or stream it as part of a subscription. Streaming rights shift regularly, so checking Movie OTT's real-time availability tracker ensures you'll know the fastest way to access the film. Since it's a 95-minute commitment from 1987, it's the kind of movie that works well as a weekend afternoon watch or a nostalgia trip for those who caught it during its theatrical run or on cable in the late '80s and early '90s.
Frequently asked questions
Q: Is Teen Wolf Too a direct sequel to the original Teen Wolf?
It's a standalone sequel set in a different time period and location. While it takes place in the same universe as the 1985 original (Todd is the cousin of Michael J. Fox's character), the film doesn't require you to have seen the first movie to follow the story. Think of it more as a spiritual successor that reuses the werewolf-curse concept in a new context.
Q: Who directed Teen Wolf Too?
Christopher Leitch directed the film from a screenplay by R. Timothy Kring. It was produced by Atlantic Entertainment Group and released in 1987.
Q: Is this Jason Bateman's feature film debut?
Yes, Teen Wolf Too marked Bateman's first starring role in a theatrical film, though he'd already built a solid television career before this. He'd go on to much greater fame with shows like Arrested Development and films like Juno and Ozark.
Q: What's the IMDb rating for Teen Wolf Too?
The film has an IMDb rating of 4.165 out of 10, which reflects its mixed critical and audience reception over the decades, though it's developed something of a cult following among '80s fantasy-comedy fans.
Q: How long is Teen Wolf Too?
The film runs 95 minutes, making it a relatively brisk watch that doesn't overstay its welcome despite the premise's potential for repetitive gags.
Who Should Watch Teen Wolf Too
Teen Wolf Too is best suited for viewers who have an appetite for '80s fantasy comedies and don't mind a premise that prioritizes fun over realism. If you're a Jason Bateman completist or someone interested in seeing how the Teen Wolf franchise evolved beyond the original, it's worth your time. Family audiences looking for something that's not too dark but still has creature-feature elements will find it accessible. Most importantly, if you enjoy films that don't take themselves too seriously but still invest in their characters' emotional stakes—the balance between winning and losing yourself—you'll find something to appreciate here. It's not a film that's trying to be great cinema. It's a film that's trying to entertain, and on that level, it mostly succeeds.
