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The Furious
Full Movie·2026·1h 54m·en
A

The Furious

To save their loved ones, they will fight everyone.

The Furious is a 2026 R-rated action thriller about a tradesman who fights a Bangkok criminal syndicate to rescue his kidnapped daughter. Starring Xie Miao and Joe Taslim, it premiered at TIFF 2025 and hits theaters June 12, 2026.

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Movie OTT Editorial

5 min read · Published May 7, 2026

7.8/10

The Furious

Release Date: June 12, 2026 | Runtime: 114 minutes | Rating: R (strong bloody violence and language) | IMDb: 7.8/10

What you need to know before watching

An ordinary tradesman. A kidnapped daughter. A police system that's failed him. Wang Wei doesn't call for backup — he becomes the backup, launching himself into Bangkok's criminal underworld with nothing but fury and a journalist named Navin searching for his own missing wife. This isn't a spy thriller or a revenge fantasy. It's what happens when a parent stops waiting and starts fighting.

The Furious hits theaters June 12, 2026, and it's worth your attention if you've ever wondered what real martial arts choreography looks like when a director actually trusts the camera to watch. No shaky-cam confusion. No quick cuts hiding weak stunt work. Just bodies moving with precision — the kind of craft you see in maybe one action film every few years.

A cast built for the job

Here's what makes this ensemble unusual: these aren't actors who hired stunt doubles. Xie Miao (credited in some releases as Mo Tse) carries the film as Wang Wei, anchoring the whole thing with the specificity of a man who's never been trained for violence — which is exactly the point. Joe Taslim, who broke through internationally in The Raid and later landed Mortal Kombat, plays Navin. He brings the kind of physical credibility that can't be faked. You believe him in a fight because you've seen him move.

The supporting cast includes Brian Le, Joey Iwanaga, Sahajak Boonthanakit, and Yang Enyou as Rainy, Wei's daughter. But the real draw? Special appearances from Yayan Ruhian and JeeJa Yanin — genuine legends of Southeast Asian action cinema. These are performers with distinct martial arts traditions, and watching those styles collide on screen is one of the film's quiet pleasures. That's not padding a cast list. That's curating an event.

Why the action actually lands

Director Kenji Tanigaki comes from action choreography, which shows. The "Ice Fight" clip circulating online — you can see it on YouTube — demonstrates exactly what happens when you point a skilled director at a skilled cast and give them space to work. No confusion. No safety cuts. Just clean, readable choreography that trusts the audience.

What's striking is how the film doesn't separate the emotional logic from the action. Wei isn't a retired assassin discovering he's still got it. He's a tradesman who has to become someone else because the alternative is losing his daughter. That gap — between what he is and what desperation forces him to become — is where the film lives. The action doesn't feel like a set piece. It feels like consequence.

The early festival circuit response backs this up. Movie OTT tracked the critical consensus after the Toronto International Film Festival premiere on September 6, 2025, and the pattern was consistent: audiences aren't just tolerating the emotional scaffolding. They're buying it. The film currently holds a 100% Tomatometer rating on Rotten Tomatoes with 281 votes on IMDb.

Who should watch this (and when)

If you watched The Raid and immediately wanted more — more craft, more consequence, more evidence that the people on screen actually know what they're doing — this is built for you. Action fans, thriller fans, anyone who's felt that particular parental dread. Parents especially. This film doesn't shy away from what that desperation looks like when channeled into violence.

It's not a franchise entry. No safety net of IP recognition. Just a solid premise, a director who knows how to frame a fight, and a cast assembled because they can actually move. That's rare enough now that it's worth making time for.

The film premieres theatrically on June 12, 2026, in Hong Kong and the United States. Streaming availability will follow the standard theatrical window — typically 45 days before digital platforms, another 30 before subscription services. Check Movie OTT's where-to-watch tracker for the most current platform list once the theatrical run starts; streaming windows shift quickly and that tracker updates in real time rather than any static list I could print here.

Frequently asked questions

What's the plot in one sentence? A tradesman and a journalist wage war against a Bangkok crime syndicate to rescue their kidnapped loved ones when the police won't help.

Is it family-friendly? No. Rated R for strong bloody violence and language. This is for adults who appreciate action cinema that takes itself seriously.

How long is it? 114 minutes. Tight enough that it doesn't overstay, long enough to let scenes breathe.

Where can I watch it? Theatrical release June 12, 2026. Streaming details will be confirmed as distribution deals are announced — bookmark Movie OTT or the where-to-watch widget at the top of this page for the current breakdown.

Is it based on a true story? No. The premise draws on the universal fear of child abduction, but Wang Wei and the Bangkok syndicate are entirely fictional.

Who made it? Directed by Kenji Tanigaki. Produced by Bill Kong, Frank Hui, and Shan Tam for Edko Films, with XYZ Films and Zhejiang Hengdian Film as co-producers. Lionsgate is handling international distribution on a film that runs 114 minutes and earned 1 win and 2 awards nominations in early festival consideration.

What makes this different from other kidnapping thrillers

The kidnapping premise is well-worn — it's been the engine of a hundred action films. But The Furious earns its fury by grounding Wei as someone who's never done this before. Not a cop. Not a soldier. Not a retired operative with a particular set of skills. Just a man who's been failed by every system that was supposed to protect his daughter, so he has to become something else.

That emotional logic separates this from the usual revenge-thriller machinery. I kept thinking about the moment Wei realizes he's past the point of turning back — not because of a dramatic speech, but because he simply has to keep moving forward or lose everything. It's a small thing, but it's the difference between a premise and a film that actually means something.

The action serves that story rather than the other way around. Watch the film when it releases June 12, 2026. Don't sleep on this one.

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