Cornelia Gröschel

Gröschel's career splits pretty cleanly into three phases, and it's worth understanding each one separately. The first is the child-actress period: TV appearances in *Heimatgeschichten* (1998) and *In aller Freundschaft* (1998–1999), then the *Heidi* film in 2001 that put her name on the map internationally (Wikipedia). Not every child actor manages to step away from early fame gracefully. She did. The second phase kicked off after she graduated from Leipzig's conservatory in 2011 and joined the Badisches Staatstheater Karlsruhe. Stage work tends to be invisible to streaming audiences, but it clearly paid dividends — her 2012 nomination for Young Actress of the Year for *Immer noch Sturm* was a signal that critics were paying attention (Wikipedia). Television work followed steadily: the ZDF fairy-tale production *Die Schöne und das Biest* (2012), the satirical sitcom *Lerchenberg* across three seasons from 2013 to 2015, the miniseries *Honigfrauen* in 2017, and the crime series *Schwartz & Schwartz* running from 2018 to 2020 (Wikipedia). She also turned up in guest roles on *Polizeiruf 110* and *Die Toten vom Bodensee*, the kind of recurring guest work that keeps an actor visible between bigger projects. Film hasn't been neglected either. She appeared in *The People vs. Fritz Bauer* in 2015 — a well-regarded German legal drama about the prosecutor who tracked down Adolf Eichmann — and in the Netflix-distributed genre film *Freaks – You're One of Us* in 2020 (Wikipedia). That last one is worth a look if you haven't seen it; it's a scrappy little superhero story that doesn't take itself too seriously, and Gröschel fits the tone well. The current phase centers on *Tatort Dresden*, Germany's long-running crime anthology, where she's set to lead the 2026 episode *Das, was du zurücklässt* (Wikipedia). That's a significant platform.