Kim Da-mi

Kim Da-mi's career didn't start with a splash — it started with a small independent omnibus project in 2017, the kind of credit that mostly exists in a filmography footnote. Then came *The Witch: Part 1. The Subversion* (2018), and everything changed. Director Park Hoon-jung cast her as Koo Ja-yoon after an open audition process that drew over 1,500 candidates (Wikipedia), and her performance in that action-mystery film — cold, controlled, and genuinely unsettling in the best way — announced her as someone the industry needed to pay attention to. Hard to say if even she expected the response it got. The transition to television could have been awkward, but it wasn't. *Itaewon Class* (2020) on JTBC gave her a role with real emotional range, and she won the Best New Actress (TV) Award at the 56th Baeksang Arts Awards for it (Wikipedia) — one of the more prestigious recognitions in Korean entertainment. She followed that with *Our Beloved Summer* (2021–2022) on SBS, a romantic drama that reunited her with Choi Woo-shik, her co-star from *The Witch*, and which drew strong viewership across its run. That reunion wasn't incidental — it's the kind of on-screen chemistry that's genuinely rare, and the show leaned into it. By 2025, she was juggling three distinct projects that showed a deliberate push toward range: *Nine Puzzles*, a mystery crime thriller in which she played a criminal profiler; *A Hundred Memories*, a period drama set in the 1980s centered on a bus hostess; and *The Great Flood*, a Netflix film (Wikipedia). She's also now managed by United Artists Agency (UAA), which she joined in August 2022 following her departure from ANDMARQ Entertainment that May — a management shift that seemed to align with this more ambitious phase of her career.