Lana Vlady

Vlady came to professional acting relatively late — she was 27 or 28 when she began working in the industry in 2015 — but she didn't spend long in the background. Her early years were split between Italian and broader European productions, building the kind of multilingual, multi-market credibility that opens doors across the continent rather than just in one national industry. Hard to say if there were earlier stage or short-film credits that haven't made it into the major databases, but her screen career as documented starts in 2015 (IMDb). The role that put her in front of the widest audience was Rebecca in Pietro Marcello's *Martin Eden* (2019), a loose adaptation of the Jack London novel transplanted to 20th-century Naples. The film was Italy's submission for the Academy Award for Best International Feature Film and gave Vlady a platform alongside lead actor Luca Marinelli, whose performance won the Volpi Cup at Venice. Playing Rebecca in that context — a film that's both lush and politically pointed, the kind of production where every scene feels weighted — wasn't a small thing. She followed that with *Dime Quién Soy: Mistress of War* (2020–2021), a Spanish-language production in which she played Anushka across what appears to be a multi-episode run, and then *Il Boemo* (2022), a Czech-Italian biographical film about Baroque composer Josef Mysliveček, where she took the role of Anna Fracassati. Most recently, she appeared in the TV movie *Il vicino tranquillo* (2023) as Juliette (Czech Film Center). As a director, she's carved out a short-film body of work that runs parallel to her acting: *La Lepre* (2018), *Sulphur* (2020), and *Promises* (2021). Four wins total across the three projects. That's a real track record, not a vanity credit.