Park Hyoung-soo

Park Hyoung-soo's career arc is the kind that doesn't announce itself — it accumulates. His earliest documented work traces back to at least 2013 (Wikipedia), and from there he built steadily through supporting roles in Korean film and television, rarely headlining but consistently present in productions that mattered. The television side came first and stayed strong: *Prison Playbook* (2017) placed him inside one of tvN's most beloved ensemble dramas, and *Arthdal Chronicles* put him in the middle of one of Korean television's most ambitious (and expensive) fantasy productions. The late 2010s and early 2020s were when his profile really consolidated. *Crash Landing on You* — the 2019–2020 phenomenon that pulled in viewers well outside Korea's usual audience base — featured him in a supporting capacity, as did *The Devil Judge* (2021) and *Hospital Playlist* (2020), the latter being the kind of warm, character-driven drama where a well-placed supporting turn can leave a real impression. On film, *The Call* (2020) and *Secret Zoo* gave him space in genre-blending narratives, while *Kingmaker* and *Confidential Assignment 2: International* leaned into the action-thriller territory he's clearly comfortable in. By 2023 and into 2025, he wasn't slowing down. *Ballerina* (2023) and *The Point Men* (2023) both landed in the same calendar year, and *The Art of Negotiation* (2025) and *Flex X Cop* (2024) confirm he's remained an active presence across both screens. The Korean Film Council lists him among working industry professionals, and his Letterboxd and MUBI pages reflect a filmography that keeps growing. That's a career built on showing up — and doing the work right.