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All Good Things
Full Movie·2010·1h 40m
A

All Good Things

Ryan Gosling stars in this 2010 crime thriller inspired by a real unsolved disappearance, directed by Andrew Jarecki. A wealthy real estate heir's marriage unravels as he becomes the prime suspect in his wife's mysterious vanishing.

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Movie OTT Editorial

4 min read · Published May 20, 2026

6.1/10

The Story of All Good Things

All Good Things is a mystery-crime drama that pulls from one of New York's most haunting unsolved cases. The film follows David Marks, a privileged real estate scion whose seemingly perfect marriage to his wife Katie descends into something far darker and more sinister. What starts as a portrait of wealth and privilege gradually shifts into psychological territory—jealousy, control, and the kind of domestic unraveling that nobody outside the marriage can quite see until it's too late. Katie's mysterious disappearance in the early 1980s becomes the film's central mystery, though Jarecki's approach isn't about solving a whodunit so much as understanding how a relationship can rot from the inside out.

Behind the Making of All Good Things

Director Andrew Jarecki, known for his documentary work and the HBO series Capturing the Friedmans, brought his investigative sensibility to this narrative feature in 2010. The film was written by Marcus Hinchey and Marc Smerling, both of whom drew inspiration from the real-life case of Robert Durst, a Manhattan real estate heir whose wife Kathleen vanished in 1982—a case that remained unsolved for decades and continued to haunt public consciousness. Casting Ryan Gosling as the troubled protagonist was a deliberate choice; at that point in his career, Gosling had already proven his range in films like Blue Valentine and Drive, making him ideal for a role that requires audiences to sit with moral ambiguity.

Kirsten Dunst plays Katie with a vulnerability that makes her character's entrapment feel visceral and real. Frank Langella, as David's domineering father, brings old-money menace to every scene—the kind of generational wealth that insulates rather than protects. The supporting cast, including Lily Rabe, Philip Baker Hall, Diane Venora, and Michael Esper, fills out a world of lawyers, detectives, and family members circling around an unsolved tragedy. The 100-minute runtime keeps the film tight, never letting the tension fully dissipate. While All Good Things didn't achieve major box-office success, it found its audience among those interested in crime narratives rooted in actual events.

What Makes All Good Things Stand Out

What's striking about this film is how it refuses to be a straightforward "whodunit." Instead, Jarecki uses the mystery as a framework for examining power dynamics, inherited privilege, and the ways wealth can shield someone from consequences. Gosling's performance is deliberately unsettling—he doesn't play David as a cartoon villain or a sympathetic everyman. There's something coiled about him, something that shifts depending on who he's with. With his father, he's deferential. With Katie, he's controlling. With investigators, he's evasive. The thing nobody mentions is how the film's real horror isn't the disappearance itself but the slow-motion collapse of a marriage that nobody around them seemed willing to acknowledge until it was far too late.

The cinematography and editing create an atmosphere of creeping dread rather than explosive drama. Scenes of domestic life—dinners, arguments, silences—carry more weight than you'd expect. Dunst's performance is particularly devastating because she captures the suffocation of being trapped by someone who has all the advantages (money, family connections, social standing) and none of the restraint. I keep coming back to a scene where Katie tries to escape, and the film doesn't sensationalize it; instead, it just shows the quiet terror of realizing that your way out might not actually exist. The supporting performances ground the film in a kind of procedural realism that keeps it from veering into melodrama.

Where to Stream All Good Things Online

All Good Things is currently available to stream on Netflix, making it easy to access if you're already a subscriber. If you're hunting for where to watch it, check the "Where to Watch" widget at the top of this page—it'll show you the most up-to-date availability across platforms. Since streaming rights shift regularly, Movie OTT tracks current availability so you don't waste time searching. The film's 100-minute runtime makes it a solid evening watch, and Netflix's interface makes it straightforward to add to your queue or start immediately.

Frequently Asked Questions

Q: Is All Good Things based on a true story?

Yes. The film is inspired by the real-life case of Robert Durst, a Manhattan real estate heir whose wife Kathleen disappeared in 1982. While the names and some details are changed, the core events—the mysterious disappearance, the suspicion, the wealth shielding the suspect—are drawn from an actual unsolved case that captivated New York.

Q: Who directed All Good Things?

Andrew Jarecki directed the film. Jarecki is known for his documentary work, including the acclaimed HBO series Capturing the Friedmans, which brought his investigative eye to narrative filmmaking with All Good Things in 2010.

Q: Where can I watch All Good Things?

The film is currently streaming on Netflix. Movie OTT's where-to-watch widget will show you all available platforms and help you find the best option for your subscription.

Q: What is the runtime of All Good Things?

The film runs 100 minutes, making it a compact mystery-thriller that doesn't linger longer than necessary to tell its story.

Q: What's the IMDb rating for All Good Things?

All Good Things holds a 6.1/10 rating on IMDb. While it's not a universally acclaimed classic, it's earned respect among viewers interested in true-crime narratives and character-driven mysteries.

Final Thoughts on All Good Things

All Good Things isn't a crowd-pleaser, and it doesn't pretend to be. It's a film for people who can sit with moral ambiguity, who don't need a neat resolution, and who understand that some mysteries—both on screen and in real life—stay unsolved. Gosling and Dunst deliver performances that linger, and Jarecki's direction keeps the atmosphere heavy without ever becoming overwrought. If you're drawn to true-crime stories that focus less on solving the puzzle and more on understanding the psychology of those involved, this one's worth your time.

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