Heo Ji-na

Heo Ji-na's career arc is the kind that doesn't announce itself loudly — it accumulates. Her credited roles across film and television number somewhere between 11 and 17 (IMDb, Plex), and while a precise debut date isn't pinned down in available sources, her work across the 2019–2023 stretch represents her most visible period to date. 2019 was a particularly dense year. She appeared in *Ashfall* — the disaster blockbuster that paired Lee Byung-hun and Ha Jung-woo and pulled massive box office numbers in South Korea — in the role of an elevator mother, a small but memorable part in a film built around chaos and human stakes. That same year, she took on Chief Editor Heo in *Tune in for Love*, a period romantic drama set across the 1990s that earned genuine affection from audiences for its restraint and nostalgia. Two films, two very different registers. That range is worth noting. Television has been equally central to her output. Her role as Lee Kyu-jin's sister in *The Penthouse: War in Life* (2020) put her inside one of the most-watched Korean dramas of that year — a series so aggressively plotted that even supporting characters got pulled into its orbit. She followed that with *Twenty Five Twenty One*, *Green Mothers' Club*, *Unlock My Boss* (2022–2023, playing maid Jeong Ji-Hye), and *Delivery Man* (2023, as Kim Hee-Yeon). Her 2023 film credit in *Soulmate*, where she plays Mi-so's mother, shows she's moved into a new phase of roles — parental figures, authority figures — that tend to arrive once an actor hits their forties. The upcoming series *Would You Marry Me?* (2025) suggests the momentum isn't stalling.